Decorations and protrusions that overwhelm their practicality
Ch. 4 – pp. 84-85
Ch. 4 – pp. 86-87
Ch. 4 – pp. 88-89
Ch. 4 – pp. 90-91
Ch. 4 – pp. 92-93
Ch. 4 – pp. 94-95
Ch. 4 – pp. 96-97
Ch. 4 – pp. 98-99
Ch. 4 – pp. 100-101
Ch. 4 – pp. 102-103
Ch. 4 – pp. 104 -105
Ch. 4 – pp. 106-107
Ch. 4 – pp. 108-109
Ch. 4 – pp. 110-111
Wedgwood is credited with the industrialization of the manufacture of pottery. His work was of very high quality: when visiting his workshop, if he saw an offending vessel that failed to meet with his standards, he would smash it with his stick, exclaiming, “This will not do for Josiah Wedgwood!” He was keenly interested in the scientific advances of his day and it was this interest that underpinned his adoption of its approach and methods to revolutionize the quality of his pottery. His unique glazes began to distinguish his wares from anything else on the market. His matt finish jasperware in two colours was highly suitable for the Neoclassicism of the end of the century, imitating the effects of Ancient Roman carved gemstone cameos like the Gemma Augustea, or the cameo glass Portland Vase, of which Wedgwood produced copies.